Showing posts with label qoricancha. Show all posts
Showing posts with label qoricancha. Show all posts

Day 1 — A Stroll in Cusco

Friday — April 3

The damp clothes I set out earlier to dry have been put away. We had planned to dine at El Patio, the onsite restaurant at Los Apus, but we’re simply too tired to do food justice. I’m snacking on some crackers as I write this blog entry, trying to stay awake until 9:00p to get my body in sych with local time. Not that there should be any jet lag — Perú is in the same time zone as Washington DC; except that Daylight Saving Time is not recognized here.

Having last eaten a small snack on the Lima-Cusco flight, we were starving by the time we were ready to set out for our stroll around Cusco. Thus, the first item of business when Vidal came to pick us up was to get a bite to eat in order to recharge our fast-waning energy.

Leading us to Siete Culebras (seven snakes), a narrow alley just down the street from Los Apus, Vidal took a shortcut to the Plaza de las Nazarenas. Oh boy — the walk up the alley was short, but the slight uphill grade quickly left us breathless, reminding us of the necessity to slow our pace while at altitude.

Siete Culebras is named for the nearby House of the Serpents. The structure is what is known as transitional architecture. That is, it was built by Inca masons working for the Spanish conquistadors. The masons carved reliefs of snakes, considered symbols of wisdom in Inca mythology, into the Inca wall that forms the base of the house. We took a few moments to search out and find the reliefs before turning our attention to a nearby church that was a later addition to the Seminary of San Antonio Abad (built in the late 1590s). Any other time, we would have stayed longer to explore the church and get acquainted with the llamas that were seemingly guarding the entrance to Siete Culebras, but something more important was distracting us — namely, lunch.

Can you find the seven snakes of Siete Culebras?

Going down a steep, narrow, cobblestone street that anywhere else in the world would be pedestrian-only, but which we shared with vehicles, we made our way to what used to be called Wacaypata (Weeping Square, supposedly so named for the grieving that was done here when the ruling Inca died). Today it is the hub-bub of activity known as Plaza de Armas. Vehicles zooming by at a dizzying speed; locals and tourists crowding the stores, visiting the great stone edifice that is the Cathedral, sitting on the benches in the park; vendors hawking their wares — Welcome to Cusco!

Expertly, Vidal guided us to Yaku Mama's Grill, one of the many eateries rimming the controlled-chaos that is Plaza de Armas. Seated at a small table on the narrow balcony overlooking the plaza, we ordered a simple, yet tasty meal of sandwiches as we weren’t feeling adventurous enough to try Peruvian fare yet. In no time, what should have been a 15-minute lunch stretched to an hour as we feasted our eyes on the imposing Cathedral and the Iglesia de la Compañia (Church of the Company — a Jesuit church built over the ruins of Amarucancha, the palace of Wayna Capac, the last Inca to preside over a united empire.)

View of Plaza de Armas from our table on the balcony of Yaku Mama's Grill.

(Taking handheld photos for a stitch is not easy; forgive me for messing this one up. Nonetheless, it gives you an idea of what Plaza de Armas looks like. The building in the center is the Cathedral; the building at the right edge is the Jesuit church.)

As interesting as the magnificent edifices were, though, what really captured our attention was all the people in the plaza — street cleaners sweeping away trash; ice cream vendors doling out sweet treats; businessmen hurrying across the traffic-laden streets, briefcases securely clutched in their hands; mothers with their kids bundled on their backs; school children in colorful uniforms skipping around the park, delaying that moment when they have to go home and do homework; people sitting on benches, resting for a bit before resuming their walk towards unknown destinations; locals walking their dogs; women and girls in colorful costumes, baby llamas cradled in their arms, crying out “un photo, un sol.” And so much more!

Street scene — Plaza de Armas.

We could have stayed on the balcony at Yaku Mama’s for the rest of the day, but we had things to do, not the least of which was exchanging some dollars for nuevo soles, the Peruvian currency. Leading us down Calle Loreto (which took longer than one might expect because we frequently stopped to admire the incredible workmanship of the Inca walls on either side of us), Vidal took us to a reputable cambio. It felt odd to be exchanging money in what looked to be a camera shop, but as we later saw, this was not all that unusual — cambios seem to be located in just about any type of establishment.

Seeing as we were not far from the Qoricancha (aka Korikancha), we headed in that direction next. As it was nearing closing time, however, Vidal suggested that we enjoy the site from outside so as not to waste our ticket on a quick visit. We did not oppose this recommendation. From the front garden, we admired the imposing sight of the Church and Convent of Santo Domingo that sits over the ruins of the Qoricancha, the Court of Gold — one of the most important temples of the Inca empire. Dating back to around 1200 AD, the temple was also the principal astronomical observatory of the empire.

It is said that the walls of the Qoricancha, which was dedicated to sun worship, were sheathed in gold and silver that was removed to pay the ransom the Spanish demanded for the release of Inca Atahualpa. It seems that the golden disc of the sun, the holiest of the religious symbols of the empire, survived the initial looters, but eventually that too disappeared. Some historians believe that it was taken away and hidden before the main party of Spaniards arrived in the 1530s, but this is all conjecture. There has been no sign of the disc to this day.

The Church and Convent were consecrated in 1633. However, Santo Domingo was heavily damaged in the earthquake of 1650, making it impossible to inhabit. Interestingly, the Inca walls upon which the buildings were constructed suffered no damage from the quake. The current buildings are the result of the 1680 reconstruction efforts.

Just as I clicked the camera shutter one last time, the heavens opened up in a deluge. We’d been watching the storm clouds gathering, providing a dramatic backdrop to the brilliant white walls of the convent, and had hoped to escape unscathed, but Pachamama (Mother Earth in Inca mythology) had other plans. Putting away the cameras, we walked back to our hotel, unfazed by the liquid sunshine pouring down on us. We’d had an excellent afternoon and a little rain wasn’t going to deflate our spirits.

The Convent of Santo Domingo sits atop the ruins of the Qoricancha.

Tomorrow, Vidal will be picking us up at 7:30a to take us to some of the sites on the outskirts of Cusco. Time to put the Boleto Turistico to work. (The tourist ticket provides admittance to many of the sites in and around Cusco.) Until then …

Next Up: Day 2 — Tambomachay

Day 11 — Qoricancha

Monday — April 13

After joining up with Vidal, we headed over to visit Qoricancha (aka Korikancha). We’d stopped by the site on our first day in Cusco. At the time, we did not go inside because it was late in the day and our exploration of this intriguing place would have been rushed.

The Church and Convent of Santo Domingo sits atop the ruins of Qoricancha.

Let me quickly summarize what I posted previously about this site.

Qoricancha was a temple dedicated to the sun. As such, it was one of the most important temples of the Inca Empire. Its name means “Court of Gold” in Quechua — appropriate since the walls are said to have been covered in gold and silver (removed to pay the ransom the Spanish demanded for the release of Inca Atahualpa). After looting the temple of all valuables, the conquistadors destroyed the structure, which dated back to 1200, and built the Church and Convent of Santo Domingo upon its ruins. Consecrated in 1633, Santo Domingo was extensively damaged in the earthquake of 1650 and was not inhabited until after the 1680 reconstruction, which resulted in today’s buildings. It’s interesting to note that thanks to Inca construction ingenuity, the walls upon which Santo Domingo sits suffered no damage during the earthquake.

The baroque church is in stark contrast to the simplicity of the Inca wall that once surrounded Qoricancha.
(the darker colored curved wall is all that remains of the sun temple that was once located within the Qoricancha complex)

Once inside, we found ourselves in the cloister of the convent. We took our time walking around the cloister, studying the paintings decorating the walls. The guards were careful to make sure no one was photographing these works of art, although they seemed to have no problem when I zoomed in from across the quadrangle to capture a photo or two.

A small portion of the cloister surrounding the quadrangle.
(the fountain in the center, though re-worked to Spanish design, is the same one that was lined with gold during Inca times)

One of the many paintings that decorate the walls of the cloister.

Following another damaging earthquake — this one in 1953 — part of the cloister was removed to unearth four of the original chambers of Qoricancha. Thus, today it is possible to get a glimpse of this most revered Inca site as one strolls around a Catholic convent. (By the way, the Inca wall used as the foundation for Santo Domingo once again escaped the earthquake unscathed. Remember, we’re talking mortarless masonry here!)

At a mock-up of the site, Vidal explained that inside the high walls, Qoricancha was made up of rectangular buildings that housed temples and shrines. The 4,000 Inca priests and attendants who were dedicated to the worship of Inti (the sun) lived on site at the complex, which also served as the empire’s foremost astronomical observatory. The mummified remains of Inca leaders were kept here as well — sitting on gold thrones no less.

The rooms had polished stone floors and the walls were decorated with precious metals, such as gold and silver. The niches held life-sized gold figures, and there was a solid gold altar and a gold sun disc. Here’s a brief description from the chronicles of Pedro de Cieza de León: “… in which the earth was lumps of fine gold … with stalks of corn that were of gold stalks, leaves, and ears … so well planted that no matter how hard the wind blew it could not uproot them. Aside from this there were more than 20 sheep of gold with their lambs and the shepherds who guarded them, all of this metal.”

No one knows what happened to the sun disc, the holiest symbol of the Inca Empire. The first three conquistadors sent by Pizarro to collect the ransom for Atahualpa reported its existence, but did not remove it from Qoricancha. They focused their attention on the bigger items such as the gold altar and fountain. There was no sign of the disc when the main body of Spaniards arrived in Cusco. It is speculated that the disc was hidden away before the looters could get their hands on it; it hasn’t been found to date. As for the rest, it was all melted into bullion and transported back to Spain — all lost to civilization in the name of greed.

The glass enclosed mock-up of Qoricancha.

After walking the length of the cloister, we turned our attention to the ruins of Qoricancha. We studied the perfectness of the mortarless walls of the shrines dedicated to some of the lesser natural gods; tried to picture the mind-boggling image of walls covered in gold and silver and niches filled with life-sized figures of gold; stood on a stone platform (placed specifically for that purpose, by the way) to look through a window to see the perfect alignment with windows in subsequent chambers; studied the detail of a restored Inca mural in one of the chambers; peeked through a ceremonial door for a glimpse of a painting of the Milky Way as seen over Cusco during the summer months; spent time interpreting the Inca vision of the cosmos as depicted on a gold plate — a replica of a line drawing from a chronicle written in 1613 by a native author.

A glimpse into the “Open Room” where ceremonies were held.

Trapezoidal doorways — an element of earthquake-proof Inca construction.
Left: View of a Dominican convent from inside an Inca shrine.
Right: Double-jamb entries signified that a place of importance lay beyond.

Replica of a drawing that represents the Inca vision of the cosmos.

Left: The sky and the world — a depiction of Pachamama and her husband Pacha Camac.
Right: The Inca believed that Pacha Camac created the first man and woman.

Eventually, we found our way onto the terrace for a quick glimpse of the grounds and an Inca-style canal. This rounded out our visit to this most amazing site. With tour groups starting to show up, it was time for us to take our leave.

Glimpse of Cusco from inside the Church of Santo Domingo.

Inca-style canal on the grounds of the church-temple.

Mui and Vidal lead the way to Plaza de Armas.

Next Up: Day 11 — A Few More Hours Around Cusco